quarta-feira, 30 de julho de 2008
quarta-feira, 23 de julho de 2008
no jornal do sab passado / on last saturday's paper

fonte:
oglobo.com.br
terça-feira, 22 de julho de 2008
sábado, 19 de julho de 2008
sexta-feira, 4 de julho de 2008
pra ler depois / for later reading
The New Republic Postcards from Nowhere by Jed Perl Post Date Wednesday, June 25, 2008 | |||||||||||
When I returned from Los Angeles not long
ago, where I had gone to see the new Broad Contemporary Art Museum,
friends quite naturally asked for my impressions. The strange thing was
that I hardly knew how to respond. And in recent months I have found
myself often faced with this problem. I have not had much of anything
to say after visiting a number of widely discussed events: the 2008
Whitney Biennial; the opening show at the New Museum of Contemporary
Art (aptly titled "Unmonumental: The Object in the 21st Century"); the
survey of Japanese artist Takashi Murakami at the Brooklyn Museum; the
Olafur Eliasson show at the Museum of Modern Art; the exhibition of
Jeff Koons's sculpture on the roof of the Metropolitan Museum of Art. I
have had thoughts, sure; but they are the thoughts of an anthropologist
rather than a museumgoer, of a student of the art world rather than a
person who has had an encounter with a work of art. What there is to
discuss is not visual experiences so much as visual stunts, which are
frequently mind-boggling in their size and complexity. Mostly what I
can offer, after all this museumgoing and gallerygoing, is a series of
postcards about nothing written from places that felt like nowhere.
I gather I am not alone. Reporting on the opening of the Broad Contemporary Art Museum in Art in America,
Michael Duncan described "a bewildering event, provoking soul-searching
in the local art community and the museum world at large." And in the
lead article in Artforum's April issue, devoted to "Art and Its
Markets," the art historian Thomas Crow complained of trustees reneging
on public trusts, of "barbarism" in cultural institutions, of "vandals
... inside the walls." Well, yes. Then again, I find it interesting
that many commentators are far more eager to criticize the collectors
and the dealers than the art stars who produce this junk in the first
place. Can it be that even the most vapid machine-tooled work is still
covered by the old romantic alibi, namely that the muses made me do it?
The woes of the art world cannot be blamed entirely on the rapacity of
a cadre of collectors, dealers, and curators. After all, it was an
artist, Damien Hirst, who dreamed up the platinum replica of a human
skull, paved with diamonds, that was first exhibited last year in
London in a show called "Beyond Belief.
via:
kultureflash
sexta-feira, 27 de junho de 2008
hmm
Art sales: bullish Hirst rattles the market
Colin Gleadell on Damien Hirst's direct sales plan
Damien
via: |
segunda-feira, 23 de junho de 2008
falando nisso 2 / speaking of which II
Skeletons admire an artist at an easel in another detail from 'F*ck*ng Hell', by the Chapman Bros (Ben Gurr/The Times)
Jake & Dinos recreate Hell for new White Cube show
http://www.timesonline.co.uk
domingo, 22 de junho de 2008
falando nisso / speaking of which
Georges Bataille, The Cruel Practice of Art (zipped PDF, 24k)
"Cruel Practice" considers the relation between art, sacrifice, and death. It was originally translated by Supervert for the BLAM! 1 CD-ROM, and is now presented here in a new and revised translation
fonte:
Georges Bataille Electronic Library
Free etexts by 20th century French theorist and writer Georges Bataille.
Georges Bataille (1897-1962)
terça-feira, 17 de junho de 2008
luto / mourning
brazil sets yet another benchmark w/ this story of army officers delivering 3 young men from the morro da providencia to drug dealers from a rival favela, who tortured and killed them. fucked up. and the irony is that providencia was originally set up by canudos war veterans, besides being the origin of the word favela: it was known as morro da favela, in reference to a canudos plant (read it today on globo)
imagens:
oglobo.globo.com
domingo, 1 de junho de 2008
pra ouvir no trabalho / to listen to at work
Eve’s Diary
by Mark Twain (1835-1910)
Eve’s Diary is a humorous monologue about
Eve’s experiences at the dawn of creation. She is fascinated by
every aspect of the new world around her and… Adam! The
following is an extract from Adam:“She is all interest, eagerness, vivacity, the world is to her
a charm, a wonder, a mystery, a joy; she can’t speak for delight
when she finds a new flower, she must pet it and caress it and smell it
and talk to it…. And she is color-mad: brown rocks, yellow sand,
gray moss, green foliage, blue sky…none of them is of any
practical value, so far as I can see, but because they have color and
majesty, that is enough for her, and she loses her mind over
them…. If there is anything on the planet that she is not
interested in, it is not in my list.”(Summary by Esther)
- Gutenberg e-text
- Wikipedia - Mark Twain
- LibriVox’s Eve’s Diary Internet Archive page
- Zip file of the entire book (36.5 MB)
- RSS feed · Subscribe in iTunes · Chapter-a-day
Read by Esther and Mike Lockwood
Total runtime: 0:38:03
mp3 and ogg files
- Eve’s Diary Part 1 - 00:12:11
[mp3@64kbps - 5.8MB]
[mp3@128kbps - 11.7MB]
[ogg vorbis - 6.4MB] - Eve’s Diary Part 2 - 00:10:37
[mp3@64kbps - 5.0MB]
[mp3@128kbps - 10.1MB]
[ogg vorbis - 5.6MB] - Eve’s Diary Part 3 - 00:15:15
[mp3@64kbps - 7.3MB]
[mp3@128kbps - 14.6MB]
[ogg vorbis - 8.0MB]
http://librivox.org